“What do you do if you’re not a hot-take artist?” asks a political-media-commentator protagonist in Andrew Marantz’s latest New Yorker essay ‘The Post-Dirtbag Left’, about a (supposedly) new brand of online content that has replaced the brutal vulgarity and nihilism of Chapo Trap House for more well-read… nice people. It’s a question that’s been rattlin…
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